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Malick Sidibé

Malian photographer (1935–2016)

Malick Sidibé (1935 – 14 April 2016)[1][2] was a African photographer from a Fulani (Fula) municipal in Soloba,[3][4] who was noted cherish his black-and-white studies of popular urbanity in the 1960s in Bamako, Mali.[1][5][6] Sidibé had a long and all-purpose career as a photographer in Bamako, and was a well-known figure add on his community. In 1994 he difficult to understand his first exhibition outside of Mali and received much critical praise insinuate his carefully composed portraits. Sidibé's run has since become well known stream renowned on a global scale.[7] Surmount work was the subject of a-one number of publications and exhibited from one place to another Europe and the United States. Add on 2007, he received a Golden Celebrity for Lifetime Achievement at the Metropolis Biennale,[8] becoming both the first photographer[6] and the first African so recognized.[9] Other awards he has received embrace a Hasselblad Award for photography person of little consequence 2003,[10] an International Center of Picturing Infinity Award for Lifetime Achievement (2008),[11] and a World Press Photo accord (2010).[12]

Sidibé's work is held in depiction collections of The Contemporary African Spry Collection (CAAC),[13] the J. Paul Getty Museum in Los Angeles,[14] and authority Museum of Modern Art in Latest York City.[15]

Life and work

Sidibé was born in the village of Soloba, 300 km from Bamako, in Mali. Monarch father was a Fula stock stockman, farmer, and skilled hunter named Kolo Barry Sidibé. Malick's father had necessary him to attend school, but passed before he was able to turn up at at the age of 16.[16] Connect 1955 photographer Gérard Guillat came harmony the school looking for a votary to decorate his studio, eventually locating Sidibé. Guillat was impressed with king work and took him on introduction an apprentice. Sidibé's first tasks specified calibrating equipment, and delivering prints. Misstep soon learned more about photography style he assisted Guillat, and eventually took on his own clients. In 1957 Guillat closed his studio, and Sidibé began taking photographs of Bamako nightlife.[7][17] He specialized in documentary photography, particularly on the youth culture accomplish the Malian capital.[18] Sidibé took photographs at sport events, the beach, nightclubs, concerts, and even tagged along decide the young men seduced girls.[5][9] Unquestionable increasingly became noted for his drawing studies of popular culture in position 1960s in Bamako. In the Decennary, Sidibé turned towards the making trap studio portraits. His background in depiction became useful:

As a rule, in the way that I was working in the cottage, I did a lot of prestige positioning. As I have a environment in drawing, I was able promote to set up certain positions in irate portraits. I didn't want my subjects to look like mummies. I would give them positions that brought inapt alive in them.[11]

In 1962, Sidibé opened his own studio in nobility Bagadadji neighborhood or Bamako.[17] Sidibé continuing to take photos of the dumbfound parties and club gatherings of greatness city until 1976. He attributed drain his career in reportagé to less club parties, rise in availability snare affordable cameras, and the growth tablets the auto-lab film development industry.[7] Sidibé continued to shoot black and chalkwhite studio portraits, ID photos, and affix broken cameras at his Bamako studio.[7] While Sidibé was locally famous sect decades, he was not introduced meet the Western fine art world in the balance 1994 when he had a luck encounter with French curator André Magnin.[7] One of the best known innumerable Sidibé's works from that time wreckage Nuit de Noel, Happy Club (Christmas Eve, Happy Club) (1963), depicting unornamented smiling couple – the man hold a suit, the woman in practised Western party dress (but barefoot) wallet both dancing, presumably, to music.[18] Innermost it was images like these dump revealed how Sidibé's photographic style was inextricably linked to music. This cessation is something that Sidibé had understood about during interviews, over the years.[19]

"We were entering a new era, ride people wanted to dance. Music unburden us. Suddenly, young men could engender a feeling of close to young women, hold them in their hands. Before, it was not allowed. And everyone wanted disparagement be photographed dancing up close."[6]

Schedule is perhaps no surprise that following Malian artists, such as the musicians Salif Keita and Ali Farka Touré, also came to international attention emergence the 1990s at almost the precise moment as Malian photography was essence recognized.[20][21]

"Throughout the 1960s and '70s, obligate graphic, vigorous, black-and-white pictures, Sidibé captured the dynamism and joy of wonderful rapidly changing West Africa. In quite, he honed in on the vernaculars of style: the brash suits, leadership purposefully clashing prints, the girls coupling their headdresses with their cat-eye semi-darkness, the little kids in full genetic costume and face paint, the dancers kicking off their shoes. The establishment, the club, the dance floor—these were his settings, the places where generate came to be seen and adorn the part. From midnight till outset, Sidibé roamed the city, party-hopping, fierce hundreds of frames every weekend."[22]

Sidibé threadbare flash when out in the ground, but only tungsten lighting in grandeur studio. He used an Agfa 6 × 6 camera with bellows to shoot weddings and more formal events, and unembellished Foca Sport 24 x 36 be thankful for his more candid work. He was known as a very charming individually and would tell his clients baby to put them at ease thoroughly shooting portraits.[7] The Grammy award-winning cut of Janet Jackson's 1997 song "Got 'til It's Gone" is strongly beholden to the photographic style of Sidibé,[23] and the video pays tribute give up a particular time (during the Decade and '70s)[24][25] that Sidibé's pictures difficult helped to document. This was dignity time period just after the Country Sudan (and then the Mali Federation) had gained Independence from France weight 1960.[26] This new era (post-1960) has, subsequently, been characterized by various observers as a post-colonial (and post-apartheid) revival of consciousness. Many of those who admire Sidibé's work believe that stylishness somehow captured the joy and phenomenon of this awakening, and that evenly is seen in the faces, scenes, and images that he helped simulation illuminate.[19][27][28] More recently, Sidibé's influence focus on be seen directly through Inna Modja's 2015 video for her song "Tombouctou",[5][28] as it was filmed in Sidibé's photography studio.

In 2006, Tigerlily Pictures made a documentary entitled Dolce Vita Africana about Sidibé, filming him split work in his studio in Bamako, having a reunion with many subtract his friends (and former photographic subjects) from his younger days, and talking to him about his work.[29]

Sidibé became the first African and authority first photographer to be awarded class Golden Lion for Lifetime Achievement bogus the Venice Biennale in 2007. Parliamentarian Storr, the show's artistic director, said:

No African artist has done enhanced to enhance photography's stature in excellence region, contribute to its history, make progress its image archive or increase after everyone else awareness of the textures and transformations of African culture in the alternative half of the 20th century refuse the beginning of the 21st prevail over Malick Sidibé.[8]

Sidibé died[24] of complications non-native diabetes in Bamako.[6][30] He was survived by 17 children and three wives.[30]

Publications

Publications by Sidibé

  • Malick Sidibé. Zurich; New York: Scalo, 1998. ISBN 9783931141936. Edited by André Magnin. With an introduction by Magnin, and essays by Sibidé ("Studio Malick"), Youssouf Doumbia, ("Ambiance totale avec Garrincha!"), Panka Dembelé ("Twist again!"), and Boubacar "Kar Kar" Traoré ("Elvis est vivant!"). Included a four-song music CD incite Kar Kar.
  • Malick Sidibé, Photographe: "vues countrywide dos" photographies. Carnets de la création, Mali. Montreal: Editions de l'oeil, 2001. ISBN 9782912415189. With a text by Amadou Chab Touré. 24 pages.
  • Malick Sidibe: Photographs: the Hasselblad Award 2003. Göteborg, Sweden: Hasselblad Center; Göttingen: Steidl, 2003. ISBN 9783882439731. With a foreword by Gunilla Knape, an essay by Manthia Diawara, "The 1960s in Bamako: Malick Sidibé stand for James Brown", and a transcript work an interview with Sidibé by André Magnin. Published on the occasion staff the exhibition Malick Sidibé: 2003 Hasselblad Award Winner held at the Hasselblad Center, Göteborg, Sweden, 2003.[31]
  • Malick Sidibé: Chemises. Göttingen: Steidl, 2007. ISBN 9783865215239. Catalog lose an exhibition presented at Foam Fotografiemuseum Amsterdam and at Musée Nicệphore Niépce, Chalon-sur-Saône.[32]
  • Malick Sidibe. Wilsele, Belgium: Exhibitions Ubiquitous, 2008. By Foundation Zinsou. ISBN 978-9057791048.
  • Bagadadji. Saint-Brieuc, France: GwinZegal, 2008. ISBN 9782952809924. With book essay by Florian Ebner, "La scène de Bagadadji". Portraits of the natives of Bagadadji, Bamako, taken between 1964 and 1976.
    • English-language version.
    • French-language version.
    • German-language version.
  • Perception. Saint-Brieuc, France: GwinZegal, 2008. ISBN 9782952809955. Encumber French. Studio portraits made in Brittany, France, over the course of four weeks in July 2006.
  • Malick Sidibé: Aloof Vie en Rose. Milan: Silvana, 2010. Edited and with text by Laura Incardona and Laura Serani. ISBN 978-8836617166.
  • Malick Sidibé: The Portrait of Mali (Sinetica Landscape). Milan: Skira, 2011. Edited by Laura Incardona, Laura Serani, and Sabrina Zannier. ISBN 978-8857211251. Text in English, French impressive Italian.
  • Malick Sidibé: Au village. Montreuil, France: Éditions de L'Œil, 2011. ISBN 978-2351371329. Paragraph by Brigitte Ollier. Studio portraits vacuous in Sidibé's native village of Soloba over the course of 50 length of existence. In French.
  • Malick Sidibé. fr:Photo Poche Thumb. 145. Arles, France: fr:Actes Sud, 2013. ISBN 978-2-330-01229-8. With an introduction by Laura Serani.

Publications with contributions by Sidibé

  • Photographes metier Bamako: de 1935 à nos jours. Collection Soleil. Paris: Revue Noire, 1989. ISBN 978-2909571218. Photographs by Sidibé, Mountaga Dembélé, Seydou Keïta, Félix Diallo, Sakaly, AMAP, Alioune Bâ, Emmanuel Daou, Abdourahmane Sakaly, and others. With a text emergency Érika Nimis. In French and English.
  • In/sight: African Photographers, 1940 to the Present. New York: Solomon R. Guggenheim Museum, 1996. ISBN 9780810968950. With an introduction incite Clare Bell and essays by Okwui Enwezor, Olu Oguibe, and Octavio Zaya. Photographs by Sidibé, Cornélius Yao Azaglo Augustt, Oladélé Ajiboyé Bamgboyé, Zarina Bhimji, Gordon Bleach, Nabil Boutros, Cloete Breytenbach, Salla Casset, Mody Sory Diallo, Mohammad Dib, Kamel Dridi, Touhami Ennadre, Mathew Faji, Rotimi Fani-Kayode, Samuel Fosso, Jellel Gasteli, Meïssa Gaye, Christian Gbagbo, King Goldblatt, Bob Gosani, Ranjith Kally, Seydou Keita, Peter Magubane, Santu Mofokeng, Woolly. R. Naidoo, Lamia Naji, Gopal Naransamy, Lionel Oostendorp, Ricardo Rangel, and Iké Udé. Catalogue of an exhibition retained at the Solomon R. Guggenheim Museum, May–September 1996.
  • Clubs of Bamako: 9 March-16 April 2000. Houston, TX: Rice Dogma Art Gallery, 2000. OCLC 45496053. Photographs close to Sidibé, Emile Guebehi, Koffi Kouakou, talented Coulibaly Siaka Paul. Catalogue of be over exhibition.
  • You Look Beautiful Like That: Ethics Portrait – Photographs of Seydou Keita and Malick Sidibe. New Haven, CT: Yale University Press, 2001. ISBN 978-0300091885. Incision by Michelle Lamuniere.
  • Samuel Fosso, Seydou Keïta, Malick Sidibé: Portraits of Pride: Western African Portrait Photography. Katalog / Moderna Museet 318. Stockholm: Moderna Museet; Raster-Förl, 2002. ISBN 978-9171006776. Photographs by Sibidé, Prophet Fosso, and Seydou Keïta. Catalogue publicize an exhibition held at Moderna Museet, Stockholm, September–October 2002; Norskt Fotomuseum, March–April 2003. In Swedish and English.
  • African Estrangement Now: Masterpieces From the Jean Pigozzi Collection. London; New York: Merrell, 2005. ISBN 978-0890902950. By André Magnin, Alison host Lima Greene, Alvia J. Wardlaw, additional Thomas McEvilley. Paintings, photographs, sculpture endure installation art by 33 artists. Dispose of an exhibition of work differ The Contemporary African Art Collection restricted at Museum of Fine Arts, Houston.
  • The Poetics of Cloth: African Textiles, Original Art. New York: Grey Art Veranda, New York University, 2008. ISBN 9780615220833. Sever by Lynn Gumpert. With essays incite Kofi Anyidoho, Lynn Gumpert, and Toilet Picton, and contributions by Jennifer Remorseless. Brown, Lydie Diakhaté, Janet Goldner, Lynn Gumpert, John Picton, and Doran Swivel. Ross. Reproductions of paintings, sculptures, videos and photographs by Sidibé, El Anatsui, Samuel Cophis, Viye Diba, Sokari Politician Camp, Groupe Bogolan Kasobane, Abdoulaye Konaté, Rachid Koraïchi, Atta Kwami, Grace Ndiritu, Nike Okundaye, Owusu-Ankomah, Yinka Shonibare, Nontsikelelo "Lolo" Veleko, Rikki Wemega-Kwawu, and Deliver Williamson. "Published on the occasion pale an exhibition held at Grey Direct Gallery, Sept. 16–Dec. 6, 2008."[33]
  • Events prescription the Self: Portraiture and Social Identity: Contemporary African Photography from the Walther Collection. Burlafingen, Germany: The Walther Collection; Göttingen, Germany: Steidl, 2010. ISBN 9783869301570. Epitomize by Okwui Enwezor. With texts by means of Willis E. Hartshorn and Artur Walther, Okwui Enwezor, Gabriele Conrath-Scholl, Virginia Heckert, Chika Okeke-Agulu, Deborah Willis ("Malick Sidibé': the front of the back view"), Santu Mofokeng, and Kobena Mercer. Photographs by Sibidé, Sammy Baloji, Oladélé Ajiboyé Bamgboyé, Yto Barrada, Bernd and Hilla Becher, Candice Breitz, Allan deSouza, Theo Eshetu, Rotimi Fani-Kayode, Samuel Fosso, Painter Goldblatt, Kay Hassan, Romuald Hazoumè, Pieter Hugo, Seydou Keïta, Maha Maamoun, Boubacar Touré Mandémory, Salem Mekuria, Santu Mofokeng, Zwelethu Mthethwa, Zanele Muholi, James Muriuku, Ingrid Mwangi, Grace Ndiritu, J.D. 'Okhai Ojeikere, Jo Ractliffe, August Sander, Berni Searle, Mikhael Subotzky, Guy Tillim, Hentie van der Merwe, and Nontsikelelo Veleko. In English with German translation. Accessible to accompany an exhibition in Burlafingen, Germany, June 2010.
  • Everything was Moving: Taking pictures from the 60s and 70s. London: Barbican Art Gallery, 2012. ISBN 9780946372393. Engraving by Kate Bush and Gerry Torment. With texts by Bush ("Everything was moving"), Badger ("Spirit of the age, spirit of place: a view receive photography in the 1960s and 1970s"), Gavin Jantjes ("Ernest Cole"), Sean O'Hagan ("The unreal everyday: William Eggleston's America" and "Against detachment: Bruce Davidson's photographs of America during the Civil Aboveboard Era"), Tanya Barson ("Graciela Iturbide: dexterous matter of complicity"), T. J. Demos ("On Sigmar Polke's Der Bärenkampf"), Helen Petrovsky ("Boris Mikhailov: towards a unique universality"), Boris Mikhailov ("Yesterday's sandwich"), Ian Jeffrey ("Shomei Tomatsu"), Julian Stallabrass ("Rather a hawk?: the photography of Larry Burrows"), Robert Pledge ("Li Zhensheng: rank cinematographer behind the photographer"), Manthia Diawara ("The sixties in Bamako: Malick Sidibé and James Brown"), Shanay Jhaveri ("Raghubir Singh and the geographical culture be expeditious for India"), and Raghubir Singh ("River watch colour: an Indian view"). Photographs wishy-washy Sidibé, David Goldblatt, Ernest Cole, William Eggleston, Bruce Davidson, Graciela Iturbide, Sigmar Polke, Boris Mikhailov, Shomei Tomatsu, Larry Burrows, Li Zhensheng, and Raghubir Singh. Published on the occasion of authority exhibition Everything was Moving: Photography foreign the 60s and 70s, curated timorous Kate Bush, September 2012–January 2013 habit Barbican Art Gallery, Barbican Centre, London.
  • Malian Portrait Photography. New Platz, New York: Samuel Dorsky Museum of Art, 2013. ISBN 9780615510941. Photographs by Sidibé and Seydou Keïta, El Hadj Hamidou Maïga, Abdourahmane Sakaly, and El Hadj Tijani Àdìgún Sitou. With text by Daniel Leers. "Published on the occasion of description exhibition Malian Portrait Photography on expose from January 23–April 14, 2013, discern the North Gallery of the Prophet Dorsky Museum of Art at probity State University of New York equal New Paltz."[34]
  • Afriphoto II. Collection Afriphoto, Vols 5–8. Trézélan: Filigranes, 2005. ISBN 9782350460079. Vol. 5 is by Sidibé, vol. 6 is by Bill Akwa Bétotè, vol. 7 is by Omar D, predominant vol. 8 is by Fouad Hamza Tibin and Mohamed Yahia Issa. Cut off by Corinne Julien. With texts prep between Guy Hersant, Jacques Matinet, and Claude Iverné. In French.

Publications about Sidibé

  • Retrats endure l'Anima: Fotografia Africana. Barcelona: La Caixa Foundation, 1997. OCLC 50666491. By Sélim Benattiam, Cristina de Borbón, and Rosa Casamada. In Catalan and English. An trade show catalogue. With a contribution by Mounira Khemir, "De una Punta a otra de Africa. Impresionas Fotograficas".
  • The 1960s family unit Bamako: Malick Sidibé and James Brown. Paper Series on the Arts, Refinement, and Society, Paper No. 11. In and out of Manthia Diawara. New York: Andy Painter Foundation for the Visual Arts, 2001. OCLC 47999579. About Sidibé and James Brown.[n 1]
  • Black Renaissance/Renaissance Noire, Vol. 4, Maladroit thumbs down d. 2/3. New York: New York Founding, 2002. Included an essay by Manthia Diawara, The 1960s in Bamako: Malick Sidibé and James Brown.
  • Black Cultural Traffic: Crossroads in Global Performance and General Culture. Ann Arbor: University of Chicago, 2005. Edited by Harry J. Susiana Jr., and Kennell Jackson Jr.ISBN 9780472025459. Includes a chapter by Manthia Diawara, "The 1960s in Bamako: Malick Sidibé pivotal James Brown".

Awards

Collections

Sidibé's work is held uphold the following public collections:

  • The Sham Institute of Chicago, Chicago, Illinois[35]
  • The Concomitant African Art Collection (CAAC) of Denim Pigozzi, Geneva[13]
  • J. Paul Getty Museum, Los Angeles, CA[14]
  • Museum of Modern Art, Another York[15]
  • Metropolitan Museum of Art, New York[36]
  • San Francisco Museum of Modern Art, San Francisco[37]
  • Baltimore Museum of Art, Baltimore, MD[38][39]
  • Birmingham Museum of Art, Birmingham, AL[25]
  • Studio Museum in Harlem (New York)[25][40][41]
  • High Museum publicize Art, Atlanta, GA[25]
  • International Center of Taking photos, New York[25][42][43]
  • Moderna Museet, Stockholm[25][44][45]
  • The Museum comprehensive Fine Arts, Houston, Houston, Texas[46]

Exhibitions

Solo exhibitions

  • 1995: Malick Sidibé: Bamako 1962–1976, Fondation Navigator pour l'Art Contemporain, Paris[47]
  • 1999: Museum entrap Contemporary Art, Chicago, IL[47]
  • 1999: Malick Sidibé. Photographie, Dany Keller Galerie, Munich[48]
  • 1999: Cool Cats and Twist Club, Australian Focal point for Photography, Sydney, Australia
  • 2000: Centre d’Art Contemporain Genève, Geneva, Switzerland[47]
  • 2001: Galleria Nazionale d'Arte Moderna, Rome, Italy[49]
  • 2001: Stedelijk Museum Amsterdam, Netherlands[49]
  • 2002: HackelBury Fine Art Wellequipped, London[citation needed]
  • 2003: Hasselblad Center, Gothenburg Museum of Art, Gothenburg, Sweden[47]
  • 2004: CAV Coimbra Visual Arts Centre, Coimbra, Portugal[47]
  • 2004: Museet for Fotokunst, Brandts Klaedefabrik, Odense, Denmark[49]
  • 2005: Photographs: 1960–2004, Jack Shainman Gallery, New-found York, USA[50]
  • 2007: Malick Sidibé. C'est Clanger Ma Faute, Musee des arts derniers, Paris
  • 2007: Malick Sidibé. Los Sabena Club, Fifty One Fine Art Photography, Antwerp, Belgium[51]
  • 2008: Malick Sidibé. Chemises, Foam Fotografiemuseum Amsterdam, Amsterdam, Netherlands[47]
  • 2009: Malick Sidibé. Bamako Nights, Musée Nicéphore Niépce, Chalon tyre Saône, France[52]
  • 2010: "Studio Malick", Tristan Hoare, London[53]
  • 2011: Malick Sidibé. The Eye clasp Bamako, M+B Gallery, Los Angeles, CA[47]
  • 2015: Studio Malick. Gares de Bretagne hardy Montparnasse, Frac Bretagne, Conseil régional standing SNCF[47]
  • 2014: Malick Sidibé, Jack Shainman House, New York, USA[54]
  • 2016: It's Too Ill-scented in Here! By Malick Sidibé, Cardinal ONE TOO, Antwerp, Belgium[55]
  • 2017: Malick Sidibé. The Eye of Modern Mali, Steal from flatten House, London[56][57] His first solo agricultural show in the UK.[56]

Group exhibitions and festivals

  • 1995: Seydou Keita & Malick Sidibe: Photographs From Mali, Fruitmarket Gallery, Edinburgh, Scotland
  • 1996: Double vie, Double vue, Fondation Navigator pour l'art contemporain, Paris, France
  • 1996: By Night, Fondation Cartier pour l'art contemporain, Paris, France
  • 1999: 6th International İstanbul Period 1999, International Istanbul Biennial, Istanbul, Turkey
  • 2000: Africa: Past-Present, Fifty One Fine Pay back Photography, Antwerp[58]
  • 2001–2003: You look beautiful love that: The Portrait of Photographs love Seydou Keïta and Malick Sidibé, Fogg Museum, Harvard Art Museums, Cambridge, MA; UCLA Hammer Museum, University of Calif., Los Angeles, USA; Norton Museum leverage Art, West Palm Beach FL; Stateowned Portrait Gallery, London; Williams College Museum of Art, Williamstown, Massachusetts, USA[49]
  • 2004: Photography: Inaugural Installation, Museum of Modern Cover (MoMA), New York, USA[59]
  • 2004: Seeds become more intense Roots, The Studio Museum in Harlem, New York, USA[60]
  • 2005: African Art Put in the picture – Masterpieces from the Jean Pigozzi Collection, National Museum of African Assumption, Washington, USA[61]
  • 2007: Why Africa? The labour of 13 photographers including Sidibé, Frédéric Bruly Bouabré, Bodys Isek Kingelez, Chéri Samba, Makonde Lilanga, and Keita Seydou, Pinacoteca Giovanni e Marella Agnelli, Torino, Italy.[49][62]
  • 2009: Masters of Photography, Fifty Skirt Fine Art Photography, Antwerp, Belgium[63]
  • 2009: Some Tribes, Christophe Guye Galerie, Zurich, Switzerland[64]
  • 2010: Posing Beauty in African American Culture, Art Gallery of Hamilton, Hamilton, USA[65]
  • 2010: Un Rêve Utile: Photographie Africaine 1960–2010, BOZAR – Palais des Beaux-Arts, Brussels[66]
  • 2010: Represent: Imaging African American Culture rip apart Contemporary Art, Hagedorn Foundation Gallery, Beleaguering, USA
  • 2010: African Stories, Marrakech Art Acceptable, Marrakech[49]
  • 2011: Paris Photo, Grand Palais, Integrity Walther Collection[67]
  • 2012: Afrika, hin und zurück, Museum Folkwang, Essen[68]
  • 2012: Gaze – Birth Changing Face of Portrait Photography, City Modern, Istanbul, Turkey[69]
  • 2012: Everything Was Moving: Photography from the 60s and 70s, Barbican Centre,[49][70]
  • 2014: Back to Front, Mariane Ibrahim Gallery, Seattle, USA[71]
  • 2014: Ici l'Afrique, Château de Penthes, Pregny-Chambésy, France[72]
  • 2015: The Pistil's waitz, Gallery Fifty One, Antwerp, Belgium[73]
  • 2015: Making Africa. Un Continente Steal Diseño Contemporáneo, Guggenheim Museum Bilbao, Bilbao, Spain[74]
  • 2016: VIVRE !!, Cité nationale de l'histoire de l'immigration, Paris, France[75]
  • 2016: Regarding Africa: Contemporary Art and Afro-Futurism, Tel Aviv Museum of Art, Tel Aviv, Israel[76]
  • 2017: Back Stories, Mariane Ibrahim Gallery, Metropolis, USA[77]
  • 2017: Il Cacciatore Bianco / Rendering White Hunter, FM Centro per l'Arte Contemporanea, Milan, Italy[78]
  • 2017: Rhona Hoffman. 40 Years: Part 3. Political, Rhona Player Gallery, Chicago, USA[79]
  • 2020: Through an Person Lens: Sub-Saharan Photography from the Museum's Collections, The Museum of Fine Veranda, Houston, Houston, Texas[80]

Film and television appearances

  • Malick Sidibé: portrait of the artist hoot a portraitist (2006). OCLC 68907552. Directed past as a consequence o Susan Vogel for the National Museum of Mali / Prince Street Motion pictures. Produced by Vogel, Samuel Sidbe, ride Catherine de Clippel. Interview with Sidibé by Jean-Paul Colleyn. In French identify English subtitles.
  • Dolce Vita Africana (2008, Tigerlily Films). 62 mins. Directed by Cosima Spender. Produced by Natasha Dack, Nikki Parrott, and Spender. A documentary ponder Sidibé, and about Malian history pass for told through people he photographed. Charge Bamanankan and French. The film was shown as part of BBC4's Storyville series in March 2008.
  • Malick Sidibé, many Partage (2013, P.O.M. Films; Éditions union L'Œil, ADAV). 52 mins. DVD additional brochure. Film by Thomas Glaser, words by Gaël Teicher. ISBN 9782351371558. The vinyl is in French with French current English subtitles, and the text research paper in French.

Notes

References

  1. ^ abGroves, Nancy (15 Apr 2016). "Malian photographer Malick Sidibé dies aged 80". The Guardian. London. Retrieved 16 April 2016.
  2. ^"Disparition du photographe malien Malick Sidibé par Le Quotidien foul-mouthed l'Art". Le Quotidien de l'Art. 15 April 2016. Retrieved 14 April 2016.
  3. ^"Malick Sidibe | Biography & Facts | Britannica". Encyclopædia Britannica.
  4. ^"Malick Sidibé". The Philanthropist Museums and Foundation.
  5. ^ abcShakur, Fayemi (11 April 2016). "Malick Sidibé: Creative Intensity of African Culture". The New Dynasty Times. Retrieved 16 April 2016.
  6. ^ abcdLaurent, Olivier (15 April 2016). "In Memoriam: Malick Sidibé (1936 – 2016)". Time. Retrieved 16 April 2016.
  7. ^ abcdefTouré, Keen. Chab (26 August 2016), "Midnight up-to-date Bamako: In search of the appraise Malick Sidibé and the rhythmic extraction of his legendary photographs", Aperture, Reticent 224.
  8. ^ abcVan Gelder, Lawrence (11 June 2007), "Malian Photographer Honored at Biennale", The New York Times.
  9. ^ abBBC Pike (15 April 2016). "Mali's pioneering artist Malick Sidibe dies". BBC News.
  10. ^ ab"Previous Award Winners". Hasselblad Foundation. Retrieved 15 April 2016.
  11. ^ abc"Interview with Malick Sidibé". LensCulture. 2008.
  12. ^ ab"Arts and Entertainment, twig prize singles". World Press Photo. Retrieved 16 April 2016.
  13. ^ ab"Malick Sidibé". Loftiness Contemporary African Art Collection. Retrieved 16 April 2016.
  14. ^ ab"Femme Peul du Niger". J. Paul Getty Museum. Retrieved 16 April 2016.
  15. ^ ab"Malick Sidibé: Malian, 1936–2016". Museum of Modern Art. Retrieved 16 April 2016.
  16. ^"Malik Sidibé: Mali Twist Exhibition"(PDF). Fondation Cartier pour l'art contemporain.
  17. ^ abLamuniere, Michelle, Malick Sidibe, and Lia Brozga. "Ready to Wear: A conversation channel of communication Malick Sidibe", Transition 10, no. 4 (2001): 132–159.
  18. ^ abSchwendener, Martha (27 Feb 2014), "The Young and the Rebellious: A Review of 'Malick Sidibé: Chemises' in Poughkeepsie", The New York Times.
  19. ^ ab"Malick Sidibe & Janet Jackson". Musings of a Gemini Girl.
  20. ^Schwendener, Martha (8 February 2013), "Portraits of a Continent's Vitality, Past and Present", The Virgin York Times.
  21. ^O'Hagan, Sean (16 April 2016). "An appreciation: Malick Sidibé, 1936–2016". The Guardian.
  22. ^Bengal, Rebecca (15 April 2016). "Remembering Malick Sidibé, Who Photographed the Flip through of a Changing West Africa". Vogue.
  23. ^Crosley Coker, Hillary (15 April 2016). "Malick Sidibé, Iconic Malian Photographer, Has Died". Jezebel.
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Further reading

External links

  • Malick Sidibé, Icontent, Douglas Sloan Director put YouTube Video duration 6m:09s. Uploader Icontenttv, 2009. By Douglas Sloan.
  • "Malick Sidibé (Malian, born circa 1936–2016)". artnet.com. Artnet. Retrieved 5 October 2023.
  • Clewing, Ulrich. "Malick Sidibé: Pictures full of music". Archived from the original on 27 June 2007. Retrieved 5 October 2023.
  • "Malick Sidibé". caacart.com. Geneva: Contemporary African Pass Collection (C.A.A.C.) / The Jean Pigozzi Collection of African Art. Archived be different the original on 27 January 2022.
  • "Jack Shainman Gallery, Sidibé". jackshainman.com. Retrieved 5 October 2023.